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Disney Changes Out Classic Songs, Scrubs Gendered Language from Paint the Night Parade at Disneyland

May 15, 2025  ·
  Marvin Montanaro
Paint the Night Parade

Paint the Night Parade at Disneyland - YouTube, WDW News Today

A series of controversial changes to Paint the Night at Disneyland has stirred controversy among the Disney fanbase once more.

The return of Paint the Night at Disneyland should’ve been a triumph—a beloved nighttime parade revived to mark the park’s 70th anniversary with dazzling lights, familiar characters, and a wave of nostalgia. But in typical modern Disney fashion, the company couldn’t resist tinkering with the legacy of its own classics in pursuit of “progress.”

Another Rewrite for the Sake of “Inclusivity”

One of the most noticeable changes to Paint the Night is the removal of its iconic opening line: “Ladies and gentlemen, boys and girls…” In its place, Disney now uses “To all who come to this happy place…”—a quote from Walt Disney’s 1955 dedication speech.

While that line holds nostalgic value, its use here feels more like a corporate workaround than a heartfelt tribute.

Walt Disney

Walt Disney in Walt Disney’s Wonderful World of Color (1966), Walt Disney Productions

This is not the first time Disney has made this change. In 2022, the Main Street Electrical Parade returned with the same reworded introduction, sparking immediate debate. And this change extends beyond just the parade. Disney has scrubbed this language from all announcements and greetings throughout Disneyland and Walt Disney World, often replacing it with “Dreamers of all ages.” 

Why drop such a beloved, time-honored phrase? The answer lies in an ongoing internal shift at Disney to avoid language that risks offending certain gender identities.

Paint the Night

Paint the Night Parade at Disneyland – YouTube, WDW News Today

The company has quietly moved away from terms like “ladies and gentlemen” in an effort to appeal to broader definitions of inclusion. Internally, it’s about “welcoming everyone”—a sentiment Disney has leaned into across parks, streaming, and merchandising. But for many longtime guests, the change represents a loss of tradition and charm, especially when the original phrase was never meant to exclude, but to warmly invite.

What was once a signature greeting that bridged generations has now become another victim of the modern push to reword anything that might be interpreted through a contemporary ideological lens. For legacy fans, it’s a subtle but symbolic shift—another sign of the ongoing transformation happening within the House of Mouse.

The Finale Gets a Rewrite Too

But the revisions don’t stop at the opening. In what may prove even more controversial, Disney has cut two of its most iconic songs—“Zip-A-Dee-Doo-Dah” and “When You Wish Upon a Star”—from the parade’s grand finale mashup.

Paint the Night

Paint the Night Parade at Disneyland – YouTube, WDW News Today

In their place is “Celebrate Happy,” a new original track performed by the Jonas Brothers, commissioned specifically for the 70th Anniversary celebration. While the song might appeal to younger audiences or fans of modern pop, it’s no substitute for the emotionally resonant classics that helped define Disney magic for decades.

Removing “Zip-A-Dee-Doo-Dah” is hardly surprising given Disney’s ongoing crusade to erase all traces of Song of the South from its parks.

Song of the South

Br’er Rabbit in Song of the South (1946), Walt Disney Productions

The tune, once a cheerful staple of parades and the now-extinct Splash Mountain, has been effectively blacklisted by the company’s Stories Matter initiative—an internal DEI-inspired division tasked with reviewing and rewriting park content to align with modern sensibilities. That same team was behind the decision to gut Splash Mountain and replace it with the still-troubled Tiana’s Bayou Adventure, which has faced technical setbacks and lukewarm reception from guests who miss the old ride’s charm.

Tiana's Bayou Adventure Exterior

The exterior of Tiana’s Bayou Adventure in Walt Disney World – Photo Credit: M. Montanaro

As for “When You Wish Upon a Star,” the song is arguably the anthem of Disney as a brand, originally featured in Pinocchio and used in countless openings and promos. Its quiet removal from the finale has left many wondering if even the most treasured parts of the Disney catalog are safe from being “updated.”

The History of Paint the Night

Paint the Night originally debuted at Hong Kong Disneyland in 2014 before making its way to Disneyland Resort in California for the park’s 60th anniversary in 2015. A spiritual successor to the Main Street Electrical Parade, it featured cutting-edge LED technology, a vibrant soundtrack blending Disney songs, and appearances by characters from Toy Story, Monsters Inc., Cars, and Frozen.

Paint the Night

Paint the Night Parade at Disneyland – YouTube, WDW News Today

The parade was an immediate hit and developed a strong fanbase. Its run at Disneyland ended in 2016, after which it was revived for Disney California Adventure in 2018.

Disney’s decision to bring Paint the Night back for the 70th anniversary could have been a crowd-pleasing moment of goodwill with legacy fans. Instead, the company chose to debut a version that seems more focused on political correctness than honoring what made the parade special in the first place.

A Pattern of Erasure

This isn’t an isolated incident—it’s a pattern. Longtime fans have watched as Disney slowly phases out language, characters, and songs that built its empire, all to appease a narrow ideological trend. With every tweak, every sanitized line, and every erased melody, it becomes clearer that nostalgia and legacy are no longer sacred within the halls of the Mouse House.

Paint the Night

Paint the Night Parade at Disneyland – YouTube, WDW News Today

Whether this newly altered Paint the Night will resonate with guests—or be remembered as yet another casualty of Disney’s identity-first era—remains to be seen.

How do you feel about these Paint the Night changes at Disneyland? Sound off in the comments and let us know!

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Author: Marvin Montanaro
Marvin Montanaro is the Editor-in-Chief of That Park Place and a seasoned entertainment journalist with nearly two decades of experience across multiple digital media outlets and print publications. He joined That Park Place in 2024, bringing with him a passion for theme parks, pop culture, and film commentary. Based in Orlando, Florida, Marvin regularly visits Walt Disney World and Universal Orlando, offering firsthand reporting and analysis from the parks. He’s also the creative force behind the Tooney Town YouTube channels, where he appears as his satirical alter ego, Marvin the Movie Monster. Montanaro’s insights are rooted in years of real-world reporting and editorial leadership. He can be reached via email at mmontanaro@thatparkplace.com SOCIAL MEDIA: X: http://x.com/marvinmontanaro Instagram: https://www.instagram.com/marvinmontanaro Facebook: https://facebook.com/marvinmontanaro Email: mmontanaro@thatparkplace.com
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NastyB

Thank God I don`t live in the countries full of deranged lunatics in the west…