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LA Comic Con Uses Stan Lee Hologram to Push Civil Rights Allegory That Stan Himself Denied in Life

September 29, 2025  ·
  Marvin Montanaro
Stan Lee Hologram at LA Comic Con

The LA Comic Con Stan Lee Hologram - YouTube, ABC7

Los Angeles Comic Con introduced a digital recreation of Marvel legend Stan Lee this month — an AI-powered hologram designed to let fans interact with him in a “safe, authentic” way. Organizers described the project as a way to “extend Stan’s legacy” and provide “a new entry point into the Marvel universe.”

To assure fans of authenticity, Comic Con officials said the hologram was tightly constrained. They claimed: “the only words that are gonna be in Stan’s mouth are Stan’s words.” They also assured the public that technical “guardrails” would ensure the Stan Lee hologram “doesn’t go off and talk about things that Stan wouldn’t have said.”

But during its debut, the construct delivered a response about the X-Men that immediately sparked pushback.

 

When asked about the X-Men, the Stan Lee hologram flatly declared: “The X-Men’s struggles for equality and acceptance were indeed inspired by the Civil Rights movement. I think it’s safe to say that Stan Lee and the creative team drew parallels between the X-Men’s fight for co-existence with humans, and the real world’s struggles of marginalized communities during that era. This was a powerful way to address social issues through storytelling.”

On the surface, this might sound like a heartfelt reflection. But longtime readers — and Lee’s own words — tell a very different story.

Stan Lee’s Real Voice vs. the Hologram

Yes, Stan Lee wrote about moral issues. In his famous 1968 Stan’s Soapbox editorial, he declared: “Bigotry and racism are among the deadliest social ills plaguing the world today… A story without a message, however subliminal, is like a man without a soul.”

Stan Lee

Stan Lee at the 2010 San Diego Comic Con in San Diego, California. Photo Credit: Gage Skidmore from Peoria, AZ, United States of America, CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0>, via Wikimedia Commons

Throughout his life, he acknowledged slipping “little morals” or “social relevance” into superhero stories. But that’s not the same as saying the X-Men were inspired by the Civil Rights movement or that they were created as metaphors for “marginalized communities.”

In fact, Stan repeatedly said the opposite. In a 2007 interview on Coast to Coast AM, he explained the real reason behind the X-Men’s creation.

“I was just originally trying to get an interesting group of characters with interesting powers and I thought it would make it twice as interesting if the public didn’t really like them that much,” he claimed. “Little by little I began getting mail saying how great it is that I’m doing these stories about bigotry and the evils of bigotry and so forth and race hatred. And I guess I was doing that, but I was doing it subconsciously. That wasn’t the main purpose.”

Storm Forge Morph

(L-R): Forge (voiced by Gil Birmingham), Storm (voiced by Alison Sealy-Smith), Beast (voiced by George Buza), and Morph (voiced by JP Karliak) in Marvel Animation’s X-MEN ’97. Photo courtesy of Marvel Animation. © 2024 MARVEL.

On whether the characters were meant as stand-ins for sexual identity, he was even clearer: “No, it was the furthest thing from my mind.”

How the Narrative Changed

What the Stan Lee hologram does is erase that nuance. It doesn’t say, “fans interpreted it this way” or “it can be seen as a metaphor.” Instead, it speaks in 2020s activist language: “marginalized communities,” “addressing social issues through storytelling,” and takes a definitive stance by claiming the characters are “indeed inspired by the Civil Rights movement.”

Professor X Magneto

(L-R): Professor X (voiced by Ross Marquand) and Magneto (voiced by Matthew Waterson) in Marvel Animation’s X-MEN ’97. Photo courtesy of Marvel Animation. © 2024 MARVEL.

That’s not Stan’s plainspoken voice. Many see it as a script designed to align his image with modern ideological branding.

But Stan himself admitted that whatever political subtext crept in was an afterthought — not the foundation.

Why Fans are Concerned

No one denies that the X-Men can be read as allegories. That’s part of their appeal. But that’s not how or why they were created. The real Stan Lee emphasized story first, message second.

The hologram reverses that order, turning him into a mouthpiece for ideas he didn’t hold, expressed in words he never used.

X-Men

(L-R): Bishop (voiced by Isaac Robinson-Smith), Cyclops (voiced by Ray Chase), Magneto (voiced by Matthew Waterson), and Morph (voiced by JP Karliak) in Marvel Animation’s X-MEN ’97. Photo courtesy of Marvel Animation. © 2024 MARVEL.

There’s a big difference between Stan Lee saying, “Sometimes a story has a message” and a digital puppet saying, “The X-Men were indeed inspired by Civil Rights struggles.”

One is authentic. The other is historical revisionism.

Closing Thoughts

Fans wanted to celebrate Stan Lee at LA Comic Con. Instead, they got an AI-powered puppet redefining his legacy to match current trends.

Stan Lee

Stan Lee at the 2010 San Diego Comic Con in San Diego, California. Photo Credit: Gage Skidmore from Peoria, AZ, United States of America, CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0>, via Wikimedia Commons

Marvel may want to frame the X-Men as forever tied to activism and identity politics. But Stan Lee’s actual words tell a simpler story: he wanted to entertain, inspire, and maybe sneak in a little lesson along the way.

That was enough to change the world. Why isn’t that legacy good enough?

How do you feel about the Stan Lee hologram at LA Comic Con? Sound off in the comments and let us know!

Author: Marvin Montanaro
Marvin Montanaro is the Editor-in-Chief of That Park Place and a seasoned entertainment journalist with nearly two decades of experience across multiple digital media outlets and print publications. He joined That Park Place in 2024, bringing with him a passion for theme parks, pop culture, and film commentary. Based in Orlando, Florida, Marvin regularly visits Walt Disney World and Universal Orlando, offering firsthand reporting and analysis from the parks. He’s also the creative force behind the Tooney Town YouTube channels, where he appears as his satirical alter ego, Marvin the Movie Monster. Montanaro’s insights are rooted in years of real-world reporting and editorial leadership. He can be reached via email at mmontanaro@thatparkplace.com SOCIAL MEDIA: X: http://x.com/marvinmontanaro Instagram: https://www.instagram.com/marvinmontanaro Facebook: https://facebook.com/marvinmontanaro Email: mmontanaro@thatparkplace.com
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Bunny With A Keyboard

Just as disrespectful as if they put strings on his corpse and worked him like a puppet to profess their new “truth.”

QuiteNuffSayer

“Respect” is a term they are not familiar with. If they thought they could get away with it, they would’ve put his corpse on display.

QuiteNuffSayer

Wow, the idiots standing around taking videos and pictures of a fake video is too much, lol. “Hey look! I got a picture of a video of not-Stan.”

TTTRRRUUUTTTHHH

Nice shout out to Coast to Coast AM. I really wish Art Bell was still around.

The whole “hologram of dead people” thing was morbid when they did it with rappers, and it’s even more morbid when it’s someone of actual importance and influence, especially when it’s someone that was a beloved public figure for a community like Stan was.

The real question is, what sick bastard did this?

ReaderX

So it went about as well as everyone expected. To use a metaphor in their own language: All this ever was was a tourist attraction that does nothing for the natives but belittle and anger them. Great job colonizing comics and turning the chief into a puppet and a laughingstock.