Former Batwoman star Ruby Rose melted down this week about Sydney Sweeney, insinuating that she somehow hates gay people and calling her a “cretin.”
Hollywood’s culture wars are alive and well — and this latest feud between Ruby Rose and Sydney Sweeney is proof that virtue signaling still pays better than humility. The dust-up over Sweeney’s box office flop Christy has sparked more debate about identity politics in film than discussion about the movie itself.
Ruby Rose’s Outburst on Threads
Rose, best known for the laughably unpopular Batwoman and a small role in Orange Is the New Black, blasted Sweeney online after Christy underperformed at the box office — pulling in just $1.3 million on a $15 million budget.
Ruby Rose attacks Sydney Sweeney on Social Media – Threads
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She posted on Threads: “The original Christy Martin script was incredible. Life changing. I was attached to play Cherry. Everyone had experience with the core material. Most of us were actually gay. It’s part of why I stayed in acting. Losing roles happens all the time.”
Sydney Sweeney ads in the American Eagle store in Times Square NYC – Photo Credit: That Park Place
But then came the line that lit Hollywood aflame: “For her PR to talk about it flopping and saying SS did it for the ‘people.’ None of ‘the people’ want to see someone who hates them, parading around pretending to be us. You’re a cretin and you ruined the film. Period. Christy deserved better.”
For the record, Sydney Sweeney has never once commented on the LGBT community in any negative way or implied that she “hates them.”
The Context Behind the Feud
Rose’s accusation seems rooted not in anything Sweeney has said or done publicly, but in reports from The Guardian and others that Sweeney registered as a Republican in Florida. Sweeney has never confirmed, denied, or discussed her voter registration. Still, that hasn’t stopped Hollywood’s self-appointed gatekeepers from drawing their own conclusions.
Sydney Sweeney American Eagle Ad – YouTube, American Eagle
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The idea that an actress’s personal politics — real or rumored — should determine who can portray whom has become a recurring theme in modern entertainment. Unfortunately, it often drowns out the actual art.
Sydney Sweeney Responds with Grace to Christy Box Office
Rather than engage in a mudslinging matches with the countless progressives touting the film’s performance, Sweeney kept her focus on the message of Christy itself.
She wrote on Instagram: “We don’t always just make art for numbers, we make it for impact. And Christy has been the most impactful project of my life.”
She continued: “This film stands for survival, courage, and hope. Through our campaigns, we’ve helped raise awareness for so many affected by domestic violence.”
And finally: “If Christy gave even one woman the courage to take her first step toward safety, then we will have succeeded.”
It’s a dignified response — the sort of thing you’d expect from someone uninterested in playing politics, even as others drag her into the spotlight.
The Politics of Hollywood Casting
Rose’s comments illustrate how deeply political Hollywood has become. The notion that a performer’s alleged voting record disqualifies them from a role is a symptom of an industry obsessed with purity tests.
Ruby Rose in Batwoman – CW
In the end, the real issue isn’t whether Sweeney registered with a particular party — it’s that someone felt entitled to weaponize that rumor for moral credibility points. Hollywood doesn’t need more division; it needs better scripts and better box office results.
What This Reveals About Modern Hollywood
The Ruby Rose Sydney Sweeney drama shows what happens when ideology becomes more important than storytelling. Audiences aren’t rejecting films because of who’s in them — they’re rejecting films that lecture them.
Sydney Sweeney ads in the American Eagle store in Times Square NYC – Photo Credit: That Park Place
Sweeney, for her part, seems determined to keep making work that matters to her. Rose’s public anger, by contrast, highlights a mindset increasingly out of step with what moviegoers actually care about: authenticity, not activism.
Final Thoughts
Rose may genuinely have felt attached to an earlier version of Christy, but accusing Sweeney of “hating” anyone based on politics that she’s never expressed crosses into absurdity.
Ruby Rose as Batwoman – CW
If anything, the outburst says more about Hollywood’s craving for moral theater than it does about Sydney Sweeney. And until the industry learns to value character and craft over ideological conformity, we’ll keep getting headlines like this one instead of the next great movie.
How do you feel about Ruby Rose attacking Sydney Sweeney? Sound off in the comments and let us know!
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