The ambitious Netflix adaptation of C.S. Lewis’s The Chronicles of Narnia is reportedly facing significant problems behind the scenes, with new allegations suggesting that director Greta Gerwig’s $280 million production has disappointed test audiences and generated serious concerns among studio executives.
According to a new report from entertainment insider Jeff Sneider, sources familiar with the production claim that some Netflix insiders consider Narnia: The Magician’s Nephew “awful,” with one describing the situation as “a genuine problem.”
The allegations arrive just days after Netflix unveiled the film’s first trailer, which generated considerable discussion surrounding Gerwig’s unconventional interpretation of Lewis’s beloved fantasy world.
With a previously delayed release date, reported additional filming, and a massive financial investment at stake, the latest allegations raise questions about whether Netflix’s planned fantasy franchise is encountering difficulties before its first installment reaches theaters.
Test Screening Reportedly Disappoints Netflix Executives
Among the most concerning allegations involves a test screening conducted over the summer.
According to Sneider’s reporting, an individual who attended the screening compared Gerwig’s adaptation to Disney’s 2018 film A Wrinkle in Time, directed by Ava DuVernay.
That production, another expensive adaptation of a beloved fantasy novel, struggled commercially despite considerable studio investment.
The source reportedly described a deflated atmosphere following the screening, suggesting that the unfinished film failed to generate the enthusiasm Netflix had anticipated.
The disappointing response allegedly contributed to the company’s decision to authorize additional filming.
Sneider also reported that Gerwig has received outside assistance in the editing room, while tensions have reportedly developed between the director and Netflix film chairman Dan Lin.
Another source questioned the film’s pacing, noting that the principal characters do not reach Narnia until the third act.

An image from Greta Gerwig’s Narnia film – Netflix, YouTube
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However, that particular criticism requires context. Lewis’s original The Magician’s Nephew spends considerable time establishing its characters and introducing other worlds before depicting Narnia’s creation. A substantial buildup is therefore consistent with the source material.
The more important question is whether Gerwig’s adaptation makes that journey compelling for audiences.
Netflix has not publicly confirmed the allegations, and the reactions described in Sneider’s report concern an unfinished version of the movie.
Gerwig’s Creative Decisions Have Already Generated Controversy
The behind-the-scenes allegations come as Gerwig’s interpretation of Lewis’s fantasy world faces criticism from portions of the franchise’s established audience.
The film’s first trailer, released October 13, features Led Zeppelin’s “Stairway to Heaven” and introduces a visually ambitious interpretation of Narnia’s creation.
Gerwig has discussed drawing inspiration from classic rock musicians, including David Bowie, while developing the film’s aesthetic and musical identity.
Perhaps the most controversial creative decision involves casting Meryl Streep as the voice of Aslan.

Greta Gerwig’s Aslan in Narnia – Empire
In Lewis’s novels, Aslan is a male lion whose characterization carries significant Christian symbolism. The decision to cast a woman in the role has consequently prompted objections from some readers concerned about preserving the character’s original identity.
Gerwig has emphasized the importance of faith in her adaptation, although critics remain skeptical about how faithfully the film will preserve Lewis’s religious themes.
A $280 Million Gamble for Netflix
The financial stakes surrounding Narnia: The Magician’s Nephew are substantial.
With a reported production budget of approximately $280 million, the film ranks among Netflix’s most expensive cinematic investments.
That figure doesn’t necessarily include the full costs associated with marketing and worldwide distribution.
Netflix acquired the rights to The Chronicles of Narnia in 2018, intending to develop new films and television projects based on Lewis’s seven novels.
Gerwig’s adaptation represents the most significant realization of those ambitions to date.

Stephen Colbert and Greta Gerwig – The Playlist, YouTube
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The company is also making an unusually substantial commitment to theatrical exhibition, positioning The Magician’s Nephew as an event film rather than a conventional streaming release.
That strategy could prove successful if the finished production attracts audiences and generates positive word of mouth.
However, it also exposes the movie to greater scrutiny over its commercial performance.
For comparison, Disney’s 2005 adaptation of The Lion, the Witch and the Wardrobe earned approximately $745 million worldwide, demonstrating the considerable theatrical potential of Lewis’s fantasy universe.
Netflix now faces the challenge of establishing a new generation of Narnia films while justifying an enormous initial investment.
The latest allegations do not establish that Gerwig’s adaptation will fail. Test screenings can produce misleading reactions, unfinished visual effects can influence audience perceptions, and significant editorial improvements remain possible before release.

Aslan in Greta Gerwig’s Narnia – Netflix, YouTube
Nevertheless, reports of disappointing screenings, additional photography, creative disagreements, and outside editing assistance represent developments worth watching.
For longtime fans of C.S. Lewis, the central concern remains whether Netflix’s expensive reinterpretation will preserve the storytelling, characters, and spiritual foundations that have made The Chronicles of Narnia enduring classics.
With the film scheduled to arrive in theaters in February, audiences will soon have an opportunity to judge Gerwig’s vision for themselves.
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