For over a decade, Disney has gone out of its way to court China’s box office. From altering content to fit the demands of Chinese censors, to restructuring storylines, casting decisions, and even marketing campaigns for maximum appeal in Beijing, Disney has treated China like a golden goose. But with the catastrophic failure of Snow White at the Chinese box office, that strategy appears to have officially collapsed.
Walt Disney World is facing a disturbing lawsuit after the family of a 14-year-old girl alleges a cast member secretly filmed up her skirt during a visit to Hollywood Studios—and that Disney allowed the employee to remain on the job even after a prior, similar...
The Central Florida Tourism Oversight District (CFTOD) is throwing financial support behind a proposed train line connecting Orlando International Airport (MCO) to Disney Springs. The initiative, dubbed the “Sunshine Corridor,” would partially replace the transportation void left when Disney canceled its free Magical Express bus service in 2022. But while the project aims to ease airport-to-resort access, glaring logistical challenges remain unresolved.
In a stunning turn that should have traditional media execs hitting the panic button, YouTube has officially claimed the top spot in total TV viewing share, surpassing even the once mighty Disney. According to Nielsen’s latest Distributor Gauge Report, YouTube racked up a record 11.6% of all U.S. TV viewership in February, marking just the second time the platform has done so since the report’s inception.
If there’s one thing we’ve learned during the long and chaotic lead-up to Disney’s live-action Snow White, it’s that Rachel Zegler has a remarkable talent for making things worse. And now, even as the dust settles from the film’s shockingly weak box office debut, Rachel Zegler has re-emerged—not with humility or grace—but with a self-congratulatory Instagram post declaring, “#1 MOVIE IN THE WORLD! 🍎❄️”
Just when it seemed like Disney’s Snow White couldn’t sink any lower, the final opening weekend box office numbers are in—and they’re somehow even worse than early projections suggested.
Just when you thought Sweet Baby Inc. couldn’t get any more ridiculous, their CEO Kim Belair has once again proven that there is no bottom to the progressive virtue-signaling rabbit hole. During GDC 2025, as pointed out on X by MasterOfTheTDS of Gothic Therapy (often first to the plate when it comes to reporting on Belair and SBI), Belair delivered this doozy of a statement.
Just when we thought Disney’s Star Wars: Galactic Starcruiser was dead and buried, it’s crawling back from the wreckage. Jay over at the Drunk3PO YouTube channel—a trusted voice on all things Disney—recently covered the announcement of a fan-funded documentary attempting to immortalize the final days of the Galactic Starcruiser. Titled Halcyon Daze: The Final Voyages of Disney’s Star Wars Galactic Starcruiser, the documentary has raised over $18,000 via Kickstarter, aiming to glorify what can only be described as one of Disney’s most expensive missteps in recent history.
Disney’s ongoing shift toward dismantling traditional family dynamics continues, now confirmed once again in its latest Marvel offering, Agatha All Along. Following months of speculation, showrunner Jac Schaeffer recently revealed at PaleyFest that Agatha’s son, Nicholas Scratch, was conceived by Agatha Harkness (Kathryn Hahn) and Rio Vidal (Aubrey Plaza), with no father involved. The move echoes a similar controversial reveal in last year’s The Acolyte, where it was confirmed that twins Osha and Mae were likewise conceived by two women, leaving a father figure deliberately absent.
The fallout from Mark Rober and his controversial video comparing the Tesla autopilot system to LiDAR technology continues to intensify. What initially appeared to be a lighthearted, data-driven experiment has unraveled into something far more concerning—a blend of misrepresentation, omitted relationships, and questionable testing practices that has left viewers and experts alike demanding answers.
For months, Disney’s live-action Snow White remake has been a lightning rod for controversy—and not without reason. Between Rachel Zegler’s numerous PR blunders, the creative reimagining of one of Disney’s most iconic characters, and the bungled handling of the Seven Dwarfs, the studio has been in full damage control mode. The legacy media? They’ve been more than happy to carry water, consistently framing any Snow White criticism as “politically motivated backlash.”
The numbers are out, and Disney’s latest live-action gamble has officially faceplanted. The Snow White opening weekend box office stands at a meager $43 million domestically and $87.3 million globally—and not even Variety or The Hollywood Reporter can spin it into a win anymore.