The DOJ just opened an antitrust investigation into NFL television and streaming deals. This probe, reported in early April 2026, focuses on whether the league's media contracts drive up prices for consumers. It also investigates if it limits competition among...
The creators behind KPop Demon Hunters have publicly rejected the idea of a live‑action remake, citing the story’s tone, visual flexibility, and pacing as better suited to animation. Co‑directors and writers Maggie Kang and Chris Appelhans addressed the matter in recent interviews.
On this week’s episode of The View, co-host Joy Behar once again took aim at Republicans — this time accusing them of being too afraid to face the show’s panel.
When Stranger Things launched in 2016, Netflix didn’t just debut a hit show—it built an identity. The streaming giant became synonymous with cinematic television, binge culture, and the illusion that creative freedom could thrive in an algorithmic world. But now, nearly a decade later, that illusion is fracturing.
As Variety revealed in its comprehensive feature on the Stranger Things final season, the Duffer Brothers wanted one last, monumental gesture for the fans—a theatrical release of the show’s finale. They imagined millions of viewers sharing the end of Hawkins together on the big screen, hearing that iconic synth theme echo through theaters across the world.
But Netflix said no.
The final season of Stranger Things will surely bring big numbers for Netflix, but the future becomes more muddled after that.
When Stranger Things premiered in 2016, it transformed Netflix from a promising disruptor into a cultural phenomenon. Eight years later, the show that built the streamer’s identity is about to end — and its creators are already packing for a new home.
After it was announced that CBS was pulling the plug on The Late Show, there was much speculation regarding what was next for host Stephen Colbert. Would he go to another network? Start a podcast? Run for office? Now we know, and it’s nothing that anyone was expecting.
A wave of rumors erupted online as fans noticed an oddity within a Netflix Tudum article that discussed replacing Henry Cavill in The Witcher Season 4.
Following the overwhelming backlash against Netflix’s The Witcher Season 4 trailer, which stars Liam Hemsworth stepping in for Cavill, the streamer’s proprietary outlet Tudum released an article which offered some insight into the series’ main star switch-up that created more questions than answers.
Paramount and Skydance’s controversial Star Trek: Starfleet Academy made a big splash at New York Comic Con — but not for the reason the studio intended. Among the lavish displays, massive booth installations, and preview imagery for the upcoming series, one photo has ignited heated discussion across the fanbase: a male Klingon character wearing a skirt.
Doctor Who could be a dead show, never to return to the airwaves after a string of creative misses by its two most recent showrunners Chris Chibnall and Russell T Davies. Indeed, The Doctor may have survived Daleks, Cybermen, and the end of time itself — but can he survive modern television?
In October 2025, the media landscape was shaken when Paramount Skydance announced that it had acquired Bari Weiss’s media company, The Free Press, and appointed Weiss as editor-in-chief of CBS News: a newly created position meant to redefine the network’s editorial...
In early October 2025, images surfaced of John Lithgow in costume as Albus Dumbledore on the set of HBO’s Harry Potter television adaptation. Those first set photos show him in full regalia: a long white beard, half‑moon spectacles, and flowing robes in a palette leaning toward blues.
Comcast may not be the largest multichannel video provider for much longer. Unlike many titans of old, like Sears or Blockbuster Video, the threat to its dominance doesn’t stem from resisting new technology. Nor does it stem from taking political or social stances that many Americans find offensive. Instead, it seems viewers simply want something else, and that something is YouTube TV.
In one of the most delightful twists of Oscars awards season, indie studio IFC has unleashed an open letter to the Academy of Motion Picture Arts and Sciences — signed not by a publicist or a producer, but by a dog.