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Disney+ Growth Stalls for Third Straight Year as Bloomberg Data Undercuts Streaming Success Narrative

December 30, 2025  ·
  Marvin Montanaro
Disney+ Logo

The logo for Disney+ - YouTube, Disney+

For years, Disney executives and legacy media outlets have insisted that Disney+ is a dominant force in the streaming wars. But new data tells a very different story — and it’s one that puts the entire Disney+ growth narrative in serious doubt.

According to a Bloomberg streaming study tracking U.S. television viewership from 2020 to 2025, Disney+ has experienced no meaningful growth for three consecutive years, even as competitors like Netflix and Amazon Prime Video continue to expand their footprint. The findings raise uncomfortable questions about whether Disney’s streaming strategy has actually stalled out, despite its massive library of recognizable intellectual property.

Disney+ Viewership Has Flatlined Since 2022

The Bloomberg data shows that Disney+ grew its share of U.S. TV viewership from 4.6% in 2021 to 5.2% in 2022, then stopped growing altogether. By 2023, viewership had stalled — and by 2025, it had fallen back to 4.8%, effectively erasing most of its early gains.

Mickey Mouse Clubhouse

Mickey and friends from Mickey Mouse Clubhouse – Disney+

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That stagnation stands in sharp contrast to competitors. Netflix expanded from 6.6% in 2021 to 8.2% in 2025, while Amazon Prime Video grew from 2.2% to 3.7% over the same period. In other words, while the streaming market continued to evolve, Disney+ simply stood still.

This is especially notable given Disney+’s explosive launch in 2019, which Bloomberg previously described as the most successful streaming debut by any traditional entertainment company. Tens of millions of users signed up in its first month, driven largely by The Mandalorian and a deep catalog of familiar Disney titles.

Hit Movies Aren’t Enough to Drive Long-Term Growth

One of the more revealing aspects of the Bloomberg study is how heavily Disney dominates the list of most-streamed movies — without that dominance translating into sustained platform growth.

Disney titles account for seven of the top 10 streamed movies, with Moana alone racking up 37.7 billion hours watched, making it the most-streamed movie across all platforms. Yet movie consumption simply doesn’t move the needle the way television does.

Moana

Moana in Moana (2016), Walt Disney Studios

Even Moana’s massive total is dwarfed by long-running series. A single season of television generates exponentially more viewing hours than a two-hour film, which helps explain why Netflix — which dominates the most-watched original series rankings — continues to pull away.

In fact, every single top-10 original streaming series belongs to Netflix, including Ozark, Stranger Things, and Love Is Blind. Disney’s flagship show, The Mandalorian, doesn’t even make the list.

Disney+ Lacks Breakout Adult Programming

The core issue facing Disney+ growth appears to be its inability to consistently attract adult audiences. While children’s programming and family films remain popular, they don’t generate the sustained engagement required to fuel long-term expansion.

Bluey Bingo and Bandit

Bluey, Bingo, and Bandit from Bluey – Disney Plus

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Among the most-watched non-original series, only Bluey streams on Disney+, and while it ranks high, it is surrounded almost entirely by content available elsewhere. By comparison, Netflix dominates the upper tier of both original and licensed television content.

This helps explain Disney’s recent decision to integrate Hulu and ESPN+ directly into the Disney+ app. Several of the most-watched shows overall — including NCIS and Grey’s Anatomy — stream on Hulu, not Disney+. Folding that content into Disney+ may improve headline metrics, but it also illustrates a larger problem: Disney+ alone isn’t delivering the growth Disney once promised.

A Defensive Strategy, Not a Growth One

Rather than signaling momentum, the Hulu integration looks increasingly like a defensive move designed to prop up engagement figures. Disney+ has not produced a new, must-watch series capable of driving cultural conversation at scale, while competitors continue to do exactly that.

Even Peacock, often treated as an afterthought in the streaming conversation, boasts a more attractive back catalog for adult viewers. Disney+’s reliance on legacy animated films and youth-focused series limits its ability to compete in a market where serialized television drives subscription decisions.

The Mandalorian

(L-R): Boba Fett (Temuera Morrison) and the Mandalorian (Pedro Pascal) in Lucasfilm’s THE BOOK OF BOBA FETT, exclusively on Disney+. © 2022 Lucasfilm Ltd. & ™. All Rights Reserved.

Three years without growth is no longer a temporary plateau. It’s a trend — and one that challenges the perception of Disney+ as a rising powerhouse in the streaming ecosystem.

Unless Disney can deliver programming that resonates beyond its youngest audience, the Disney+ growth story may already be over.

Do you think Disney+ will see any growth in 2026? Sound off in the comments and let us know!

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Author: Marvin Montanaro
Marvin Montanaro is the Editor-in-Chief of That Park Place and a seasoned entertainment journalist with nearly two decades of experience across multiple digital media outlets and print publications. He joined That Park Place in 2024, bringing with him a passion for theme parks, pop culture, and film commentary. Based in Orlando, Florida, Marvin regularly visits Walt Disney World and Universal Orlando, offering firsthand reporting and analysis from the parks. He’s also the creative force behind The M4 Empire YouTube channel, bringing a critical eye toward the world of pop culture. Montanaro’s insights are rooted in years of real-world reporting and editorial leadership. He can be reached via email at mmontanaro@thatparkplace.com SOCIAL MEDIA: X: http://x.com/marvinmontanaro Instagram: https://www.instagram.com/marvinmontanaro Facebook: https://facebook.com/marvinmontanaro YouTube: http://YouTube.com/TheM4Empire Email: mmontanaro@thatparkplace.com
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James Eadon

These are propaganda channels, Disney posts woke-fungus propaganda. Funded by globalists. It’s sickening.

Mad Lemming

D+ seems to be the sole exception to the “profitability era” pushed by shill media. Both Mouse House and the media will tout “$574 million in profit,” but that’s peanuts compared to others’ gains. Everyone’s “profit growth” falls apart when you look at their annual expenditures because the studios are spending more money annually than they earn from streaming. Creative math and selective reporting cannot change reality.

TheDalinkwent

When Disney Plus first dropped…they noted their biggest subscriber base was older men surprising enough and realized the Star Wars/Marvel deal paid off (thats why I originally bought it) and yet they did nothing but turn both into girlbrands and make almost nothing for young males to latch onto for over 5 years.

They really expected men to just ignore the “anti-male” messages and feminized entertainment across the board.