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Stranger Things Season 5 Reviews Tank As Audience Score Falls Into Rotten Territory

December 29, 2025  ·
  Marvin Montanaro
Stranger Things Will Scene

Noah Schnapp in an emotional moment as Will Beyers in Stranger Things 5 - Netflix

The Rotten Tomatoes Stranger Things Season 5 audience reviews are painting a picture Netflix likely hoped to avoid. While critics have largely remained on board with the show’s direction, general audiences are signaling something very different — and increasingly so by the day.

As of this writing, Season 5 of Stranger Things sits at 84% on Rotten Tomatoes’ Tomatometer, buoyed by 100+ professional reviews. The audience score, however, has dropped to 56%, placing it firmly in “Rotten” territory. That number matters, not just because of where it landed, but because of how quickly it got there.

Stranger Things 5 reviews on Rotten Tomatoes

Review scores for Stranger Things Season 5 on December 29, 2025 – Rotten Tomatoes

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According to publicly visible data and recent coverage, the audience score has continued to fall in the days following major media attention, including a widely circulated Forbes breakdown of the backlash. The decline has reignited a now-familiar argument: are audiences offering legitimate criticism, or is this another case of so-called “review bombing”?

A Sharp Drop Compared To Past Seasons

Context matters. Prior seasons of Stranger Things were audience darlings, posting audience scores in the mid-80s to mid-90s range across Seasons 1 through 4. Season 5’s current standing isn’t a mild dip — it’s a collapse by comparison.

Vecna in Strainger Things 5 Part 2

Vecna in the Stranger Things 5 Part 2 Trailer – YouTube, Netflix

That shift alone suggests something deeper than casual discontent. When a show maintains strong critic support but loses nearly half of its audience goodwill, it raises an obvious question: what changed?

Media narratives have been quick to supply an answer.

The “Review Bombing” Narrative Takes Hold

Almost immediately, negative audience feedback began to be framed by some outlets and commentators as review bombing, with particular attention placed on the penultimate episode’s closing moments involving Will Byers.

Stranger Things Will Scene

Noah Schnapp as Will Beyers in Stranger Things 5 – Netflix

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Season 5 includes a highly publicized scene in which Will comes out near the end of the story — a moment some commentators argue triggered ideologically motivated backlash. That framing has since become a convenient shield, one that attempts to collapse all criticism into a single motive.

The problem with that argument is simple: it assumes intent while ignoring substance.

Labeling dissatisfaction as review bombing may be emotionally satisfying, but it does not actually engage with what audiences are saying.

What Viewers Are Actually Criticizing

A closer look at audience reactions shows a pattern that extends well beyond one scene or one character arc.

Nancy Wheeler with a Shotgun

Nancy Wheeler in Stranger Things 5 – YouTube, Netflix

Viewers are raising concerns about:

  • Overwritten and repetitive exposition, especially in later episodes
  • Uneven performances from characters who were once emotional anchors of the series
  • Pacing problems, with major revelations undercut by drawn-out setup
  • Narrative bloat, as the story introduces new concepts and characters without resolving old ones

These are not ideological complaints. They are critiques of storytelling craft — the kind audiences have leveled at countless finales and late-stage seasons long before culture-war framing became the default explanation.

Noah Schnapp as Will Beyers in Stranger Things

Noah Schnapp plays will Beyers in Stranger Things Season 4 – Netflix

Even critics sympathetic to the season have acknowledged that the show is struggling to juggle its remaining plot threads in the time it has left.

Why “Review Bombing” Is An Inadequate Explanation

Using “review bombing” as a blanket dismissal does two things:

  1. It invalidates legitimate criticism without addressing it
  2. It creates an echo chamber where only praise is considered acceptable

Audiences are not obligated to applaud a creative decision simply because it was intentional or socially symbolic. Nor are they required to ignore flaws in writing, direction, or character development because a moment is framed as meaningful.

Eleven puts on a pair of earphones and a blindfold in Stranger Things

Eleven in Stranger Things – YouTube, Netflix

There are many who have legitimate issues with that Will Byers scene. Some of it stems from audience fatigue with identity politics-driven storytelling in popular media. But others took umbrage with the placement of the scene, capping off a penultimate episode that carries legitimate world ending consequences to focus on the sexuality of a teenager.

And if that’s the reason why someone ranks the season with a low score, it’s legitimate. It’s something about the story that didn’t work for them, which is what reviews are meant to point out. The obsessive Hollywood media discourse surrounding “review bombing” has become a toxic shield meant to invalidate the legitimate opinions of the viewing audience.

Good storytelling can withstand scrutiny. Weak storytelling often cannot.

A Warning Sign For The Finale

With the audience score continuing to slide and only limited runtime remaining, Stranger Things Season 5 is approaching its conclusion under a cloud of skepticism rather than celebration.

That doesn’t mean the finale can’t recover ground. It does mean Netflix can no longer rely on nostalgia or cultural goodwill to carry it across the finish line.

Stranger Things 5

A scene from the teaser trailer for Stranger Things 5 – YouTube, Netflix

The audience response — reflected clearly in the current Stranger Things Season 5 Reviews — suggests viewers are judging the show not by what it represents, but by how well it actually works.

And right now, a growing number of them are saying it doesn’t.

How do you feel about these Stranger Things 5 audience reviews? Sound off in the comments and let us know!

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Author: Marvin Montanaro
Marvin Montanaro is the Editor-in-Chief of That Park Place and a seasoned entertainment journalist with nearly two decades of experience across multiple digital media outlets and print publications. He joined That Park Place in 2024, bringing with him a passion for theme parks, pop culture, and film commentary. Based in Orlando, Florida, Marvin regularly visits Walt Disney World and Universal Orlando, offering firsthand reporting and analysis from the parks. He’s also the creative force behind The M4 Empire YouTube channel, bringing a critical eye toward the world of pop culture. Montanaro’s insights are rooted in years of real-world reporting and editorial leadership. He can be reached via email at mmontanaro@thatparkplace.com SOCIAL MEDIA: X: http://x.com/marvinmontanaro Instagram: https://www.instagram.com/marvinmontanaro Facebook: https://facebook.com/marvinmontanaro YouTube: http://YouTube.com/TheM4Empire Email: mmontanaro@thatparkplace.com
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Mad Lemming

I’m not at all surprised. The writers *admitted* they spent more time on writing the one character’s “coming out” scene than they did on the scripts for the entire season. That was their whole priority and *nobody cares*. If the story sucks, tokens aren’t going to save it.