In a surprising shift from its previously glowing coverage, Variety has published a damning report outlining internal tensions surrounding Rachel Zegler’s behavior during the promotion of Snow White. The article, which dropped just days after the film’s underwhelming $85.3 million global opening, paints Zegler as a defiant and politically reckless liability—laying out a timeline of clashes with Disney executives, promotional controversies, and studio intervention.
But while Zegler’s missteps are well documented, the sudden shift in tone raises a key question: Is Variety’s new tone simply journalistic accountability—or is Disney quietly repositioning the narrative?

Rachel Zegler as Snow White in Snow White (2025), Walt Disney Studios
The article details Zegler’s now-infamous “Free Palestine” social media post, published just minutes after she celebrated the film’s trailer performance in August 2024. According to the report, Disney executives were blindsided by the political statement, which was unrelated to the film and quickly drew viral attention. Variety states that producer Marc Platt personally flew to New York to ask Zegler to remove the post. She refused.
Behind the scenes, Variety confirms that co-star Gal Gadot, who is Israeli, received threats severe enough that Disney hired private security for her and her four children. While Zegler was not directly responsible for the threats, the article makes clear that her refusal to remove the post was seen by the studio as reckless and damaging.
The report goes on to document further friction between Zegler and the company. From her criticism of the 1937 Snow White to her controversial posts following the 2024 U.S. election, the pattern painted is one of a star who regularly challenged studio leadership and refused to course-correct—even when asked. Disney ultimately assigned a social media handler to Zegler in the lead-up to release, a detail confirmed by Variety’s sources.

Gal Gadot as the Evil Queen in Disney’s live-action SNOW WHITE. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.
Yet as some observers have noted, many of these incidents—while problematic—are not new. Zegler’s commentary about the original Snow White and her remarks about the film’s male lead have been public knowledge since 2022. Her polarizing social media presence was well known by the time she was selected to headline one of Disney’s most iconic remakes. The studio (and Variety) stood by her through press disasters, public backlash, and creative changes.
So why is all of this surfacing now?
While Variety notes that Disney declined to comment for the article, industry veterans will recognize the pattern.

Rachel Zegler via Good Morning America YouTube
READ: China Rejects Snow White After Years of Disney Pandering to The CCP—The Message is Clear
When major projects underperform, blame is often quietly redistributed—and studio-friendly trade outlets become conduits for reputational clean-up. The article contains multiple studio and agency sources speaking on background, many of whom seem aligned in distancing the broader production from Zegler’s conduct.
To be clear, Zegler’s decisions—and her refusal to heed multiple warnings—undoubtedly contributed to the film’s public perception. But the broader campaign, creative choices, and the greenlighting of a $270 million remake with radical narrative shifts were all decisions made by Disney’s leadership, up to and including Bob Iger.
The studio controlled the message, controlled the casting, and approved the marketing strategy. Their silence in response to early warning signs was strategic, not accidental.

Rachel Zegler as Snow White in Snow White (2025), Walt Disney Studios
Now that the film has failed to meet expectations, the sudden focus on Zegler’s behavior may suggest an effort to shift the public conversation away from Disney’s broader creative strategy. Whether intentional or not, Variety’s article reads like a postmortem that leaves one name holding the bag.
It’s also worth noting that Variety—a publication often seen as close to studio PR pipelines—had previously downplayed the controversy, framed the review embargo as standard practice, and emphasized optimism around the film. This reversal could signal a larger recalibration, not just of the film’s narrative, but of how Disney wants its future projects—and spokespeople—perceived.

Honor Gillies as Barb Azure, Konstantin Taffet as Clerk Carmine and Rachel Zegler as Lucy Gray Baird in The Hunger Games: The Ballad of Songbirds and Snakes. Photo Credit: Murray Close
As the dust settles from Snow White’s disappointing launch, this may not be the last we hear of internal reassessments. Zegler’s behavior will continue to be scrutinized. But if audiences and analysts are asking tough questions, they may also want to direct a few at the company that handed her the crown in the first place.
Are you surprised that Variety would shift gears to attack Rachel Zegler? Sound off in the comments and let us know!



It’s not surprising that Variety is doing this and I don’t doubt for a moment that Disney is giving the orders to do it. But I will give Variety a half-credit because Rachel Zegler really did do a lot of damage to an already-doomed movie with her very real narcissism.
Iger and the others who pushed this nonsense movie are suffering a far worse fate, though. The movie might barely make $100 million before it’s pulled when its *reported* combined budget needs at least $750 million to break even ($250 million production + $100 million marketing + safety buffer amount). That alone would be devastating. But China’s rejection of the film bodes far worse.
UPDATE: Make that $780-800 million to break even. The “new” production budget is $270 million, not $250, with $100 million marketing. No doubt it’s much higher but no whistleblowers are giving us the factual numbers.
Two observations about this:
One, Disney is the major party to blame here. There were multiple warning signs that Zegler was going to be a problem, and they ignored all of them. They had every chance to course-correct, and they did nothing. Now look where they are.
Two, Zegler’s career is likely over. She is the very public face on a major public flop. It’s now official that she’s box office poison, so I doubt many major studios will want anything to do with her or the circus she brings with her.
Disney needs a Hollywood golden age studio fixer like Eddie Mannix to deal with her.