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YouTube Surpasses Disney in TV Viewing in Massive Win for New Media — Legacy Media Left Reeling as Entertainment Landscape Shifts

March 25, 2025  ·
  Marvin Montanaro
Bob Iger

Bob Iger via New York Times Events YouTube

In a stunning turn that should have traditional media execs hitting the panic button, YouTube has officially claimed the top spot in total TV viewing share, surpassing even the once mighty Disney. According to Nielsen’s latest Distributor Gauge Report, YouTube racked up a record 11.6% of all U.S. TV viewership in February, marking just the second time the platform has done so since the report’s inception.

Nielsen Distributor Gauge

The Nielsen Distributor Gauge that shows YouTube overtaking Disney to claim the #1 Spot – Nielsen

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That 11.6% figure had been noted in previous breakdowns, but this latest data directly ranks distributors — and YouTube came out ahead of every other entertainment conglomerate. In second place? None other than the Walt Disney Company, which saw a notable drop from its January numbers after losing viewership boosts from the NFL Playoffs and College Football Playoff games.

And the hits keep coming for Disney. Fox Corporation (not to be confused with the Disney-owned 20th Century Fox), bolstered by Super Bowl viewership and a surge on its free streaming platform Tubi, jumped to third place, edging out Netflix. Fox News Channel alone drove 37% of the company’s total viewing share, with a 3% increase in February coinciding with heightened political coverage and Trump-related developments.

Trump

Donald Trump speaks at a rally the night before being inaugurated as the 47th President of the United States of America – YouTube, Washington Post

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This moment is more than just a leaderboard shuffle — it’s an inflection point for New Media. YouTube’s rise has been relentless, climbing 53% in just two years (from 7.9% to 11.6%). Unlike Disney and other entertainment juggernauts that depend on massive tentpole events and franchise content, YouTube thrives on creator-driven programming that is decentralized, diverse, and constant. Its long-term strategy of empowering individuals rather than producing traditional TV has proven not only viable but dominant.

What’s even more striking is that YouTube’s growth isn’t just coming from Gen Z or Millennials. Nielsen reports that living-room viewing now exceeds that on mobile devices and computers — and that older demographics are a driving force. Viewership among adults aged 65+ has nearly doubled over the past two years, now almost equaling that of kids ages 2 to 11.

This trend should worry Disney, which has staked so much of its future on flagship franchises and high-cost streaming productions that require huge capital investments. In contrast, YouTube’s low-overhead model and global reach allow it to adapt rapidly to audience behavior and avoid many of the pitfalls of Hollywood’s bloated content machine.

Bob Iger

Bob Iger | 2019 Disney Legends Awards Ceremony | D23 EXPO 2019. Photo Credit: nagi usano from Tokyo, Japan, CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0>, via Wikimedia Commons

If this trend continues — and there’s every reason to believe it will — traditional media companies may need to rethink everything, from distribution models to content development strategies. The democratization of content creation is no longer coming. It’s here.

YouTube is now the biggest name on the TV screen.

How do you feel about YouTube surpassing Disney? Sound off in the comments and let us know! 

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Author: Marvin Montanaro
Marvin Montanaro is the Editor-in-Chief of That Park Place and a seasoned entertainment journalist with nearly two decades of experience across multiple digital media outlets and print publications. He joined That Park Place in 2024, bringing with him a passion for theme parks, pop culture, and film commentary. Based in Orlando, Florida, Marvin regularly visits Walt Disney World and Universal Orlando, offering firsthand reporting and analysis from the parks. He’s also the creative force behind the Tooney Town YouTube channels, where he appears as his satirical alter ego, Marvin the Movie Monster. Montanaro’s insights are rooted in years of real-world reporting and editorial leadership. He can be reached via email at mmontanaro@thatparkplace.com SOCIAL MEDIA: X: http://x.com/marvinmontanaro Instagram: https://www.instagram.com/marvinmontanaro Facebook: https://facebook.com/marvinmontanaro Email: mmontanaro@thatparkplace.com
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Mad Lemming

Disney’s model is a mess. No older, pre-woke content from their catalogue. Continued production of shows and movies nobody wants to watch. “Ad-free” tiers that still have ads (blatant false advertising). ESPN+ being so unpopular it can’t maintain the minimum number of views to fulfill broadcasting contracts with the leagues.

Subscription count alone is not indicative of profitability, nor is usage. Other than Netflix, WBD, and Amazon Prime, none of them are turning any kind of consistent profit. Even those that are have margins that are razor thin. If things continue with more and more people just using YouTube as well as TUBI and other ad-supported platforms that broadcast licensed content, legacy media will finally die out.