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The Mandalorian and Grogu Officially Earns Lowest Box Office Opening in Disney Star Wars History

May 25, 2026  ·
  Marvin Montanaro
Mandalorian and Grogu Poster

A piece of the Mandalorian and Grogu movie poster - Disney

Disney and Lucasfilm officially have a new low point for the modern theatrical era of Star Wars. The Mandalorian and Grogu debuted to an estimated $81.9 million domestic opening weekend and roughly $102 million over the extended 4-day Memorial Day holiday frame, making it the lowest opening weekend for a Disney-era Star Wars theatrical release in North America.

Globally, the film opened to approximately $165 million worldwide. On paper, that technically edges out Solo: A Star Wars Story, which opened to $148 million globally back in 2018. However, once inflation is factored in, Solo’s worldwide opening would equal roughly $193 million to $195 million in 2026 dollars.

That means even internationally, Solo likely sold significantly more tickets than The Mandalorian and Grogu despite being viewed at the time as a major disappointment for the franchise.

READ: Star Wars Spent a Decade Pushing Away Boys — So Why Would Today’s Teenagers Care About The Mandalorian and Grogu?

Adjusted for inflation domestically, Solo’s $84.4 million opening weekend would equal roughly $110 million today, while its $103 million 4-day Memorial Day total would translate to approximately $135 million in 2026 dollars.

In other words, Disney’s latest theatrical Star Wars film appears to have drawn fewer actual moviegoers than a film that was widely considered a box office embarrassment eight years ago.

Inflation Paints an Even Worse Picture for Disney

The raw worldwide numbers hide another uncomfortable reality for Disney and Lucasfilm.

Ticket prices in 2026 are significantly higher than they were in 2018. Premium formats like IMAX, Dolby Cinema, ScreenX, and other premium large format screens also account for a much larger share of blockbuster revenue today.

Grogu eating a cookie

Grogu eating a cookie – Star Wars, YouTube

That means comparing raw dollar totals alone doesn’t tell the full story.

Solo opened to:

  • $84.4 million domestic over 3 days
  • $103 million over the 4-day Memorial Day frame
  • $148 million worldwide

Adjusted into 2026 dollars, those numbers become approximately:

  • $110 million domestic opening weekend
  • $135 million over the 4-day holiday
  • $193 million to $195 million globally
Mandalorian and Grogu Super Bowl spot

A screenshot from The Mandalorian and Grogu Super Bowl spot – Lucasfilm

READ: REVIEW: The Mandalorian and Grogu Is a Beautifully Shot Corporate Product That Forgot How to Tell a Story

Meanwhile, The Mandalorian and Grogu opened to:

  • $81.9 million domestic
  • approximately $102 million over 4 days
  • approximately $165 million globally

Once inflation and ticket-price increases are considered, the evidence strongly suggests Solo attracted substantially more actual theatergoers. That’s an alarming development for a franchise that once dominated global box office charts.

Is This a Referendum on the State of Disney Star Wars?

That question is now unavoidable.

Disney spent years positioning Din Djarin and Grogu as the safest possible faces of modern Star Wars. Grogu became a merchandising phenomenon. Disney+ aggressively pushed The Mandalorian as the flagship of the post-sequel era. Lucasfilm also stayed away from theaters for years following the underwhelming reception to Star Wars: The Rise of Skywalker.

Rey screaming in Star Wars

Rey from Star Wars – Disney+

And yet the franchise’s return to theaters with its supposedly safest bet has now delivered the lowest Disney-era opening in Star Wars history.

Many critics of Lucasfilm’s direction argue this reflects long-term brand erosion under now-former President Kathleen Kennedy. Others point to streaming fatigue and the idea that Disney conditioned audiences to view modern Star Wars as disposable streaming “content” rather than must-see theatrical events.

There is also growing discussion surrounding younger audiences, particularly teenage boys who historically formed the backbone of the franchise. Critics argue many of those viewers simply no longer feel connected to Star Wars after years of divisive projects, inconsistent theatrical plans, and storytelling choices that alienated portions of the legacy fanbase.

Embo in The Mandalorian and Grogu

Embo in The Mandalorian and Grogu – Star Wars

READ: Superman Appears in ‘Supergirl’ Marketing as Box Office Projections Predict ‘The Marvels’-Level Opening

Whatever the explanation, the optics here are undeniably rough.

When a film starring arguably the two most marketable characters Disney has created in the modern era opens below the most infamous flop in Star Wars history, it becomes difficult to argue the franchise is operating from a position of strength.

The Road Ahead Could Become Even More Difficult

The larger issue for Disney may not simply be the opening weekend itself, but what it represents moving forward.

Modern blockbuster economics are brutal. Industry analysts and commentators have estimated that The Mandalorian and Grogu may ultimately need somewhere between $500 million and $600 million globally to comfortably reach profitability once marketing and distribution costs are factored in.

Pedro Pascal unmasked in The Mandalorian

Pedro Pascal unmasked in The Mandalorian – YouTube, Star Wars

If the film suffers weak legs due to mixed audience reception or continued overseas softness, the conversation surrounding the future of theatrical Star Wars could become much more uncomfortable very quickly.

Because right now, Disney’s grand return to theaters for Star Wars is making history for all the wrong reasons.

Are you surprised by the Mandalorian and Grogu box office? Sound off in the comments and let us know!

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Author: Marvin Montanaro
Marvin Montanaro is the Editor-in-Chief of That Park Place and a seasoned entertainment journalist with nearly two decades of experience across multiple digital media outlets and print publications. He joined That Park Place in 2024, bringing with him a passion for theme parks, pop culture, and film commentary. Based in Orlando, Florida, Marvin regularly visits Walt Disney World and Universal Orlando, offering firsthand reporting and analysis from the parks. He’s also the creative force behind The M4 Empire YouTube channel, bringing a critical eye toward the world of pop culture. Montanaro’s insights are rooted in years of real-world reporting and editorial leadership. He can be reached via email at mmontanaro@thatparkplace.com SOCIAL MEDIA: X: http://x.com/marvinmontanaro Instagram: https://www.instagram.com/marvinmontanaro Facebook: https://facebook.com/marvinmontanaro YouTube: http://YouTube.com/TheM4Empire Email: mmontanaro@thatparkplace.com