Box Office

‘Michael’ Breaks Domestic Box Office Record for Musical Biopics

‘Michael’ Breaks Domestic Box Office Record for Musical Biopics

By the end of its third weekend, Michael has broken the record for the highest-grossing musical biopic in domestic box office history. The milestone comes despite heavy criticism and negative reviews from much of the Hollywood access media. Audiences—and not just longtime Michael Jackson fans—appeared largely unfazed by the backlash, helping turn the film into a historic theatrical success.

‘Mortal Kombat II’ Headed Toward $35-$40 Million Opening Weekend Box Office

‘Mortal Kombat II’ Headed Toward $35-$40 Million Opening Weekend Box Office

After the success of The Minecraft Movie and The Super Mario Bros. Movie, it appeared to many that audiences were ready for the era of video game films. Yet the initial box office returns for Mortal Kombat II serve as a sharp reminder that not every gaming property is a guaranteed blockbuster. A familiar name and early hype do not automatically translate into ticket sales.

‘The Mandalorian and Grogu’ Tracking For Worst Opening Weekend in ‘Star Wars’ History

‘The Mandalorian and Grogu’ Tracking For Worst Opening Weekend in ‘Star Wars’ History

Star Wars has long stood as one of the most successful franchises in film history. But after a string of recent projects that failed to fully connect with audiences, that dominance is starting to look less certain. If early box office tracking proves accurate, this summer’s The Mandalorian and Grogu could post the weakest opening weekend ever for a Star Wars film.

Project Hail Mario: Theaters See Hope As Super Mario Galaxy and Project Hail Mary Continue to Climb to Box Office

Project Hail Mario: Theaters See Hope As Super Mario Galaxy and Project Hail Mary Continue to Climb to Box Office

After years of empty seats and stale popcorn, The Super Mario Galaxy Movie and Project Hail Mary are giving theaters a renewed sense of hope. Both films have delivered strong box office performances, signaling that audiences are returning. Yet it isn’t superhero franchises or auteur-driven event films leading the charge this time.