An alleged leak of the Buffy The Vampire Slayer Reboot Script may have just answered the biggest question surrounding Hulu’s now-dead revival: What went so wrong? Between a final story that reportedly shows Buffy Summers living a hollow corporate life and dialogue...
Disney’s ongoing shift toward dismantling traditional family dynamics continues, now confirmed once again in its latest Marvel offering, Agatha All Along. Following months of speculation, showrunner Jac Schaeffer recently revealed at PaleyFest that Agatha’s son, Nicholas Scratch, was conceived by Agatha Harkness (Kathryn Hahn) and Rio Vidal (Aubrey Plaza), with no father involved. The move echoes a similar controversial reveal in last year’s The Acolyte, where it was confirmed that twins Osha and Mae were likewise conceived by two women, leaving a father figure deliberately absent.
It looks like the Power Rangers are morphing back into Disney’s hands—at least for now. According to an exclusive report from TheWrap, Disney+ and 20th Century Television are in talks to develop a brand-new live-action Power Rangers series, with Percy Jackson and the Olympians showrunners Jonathan E. Steinberg and Dan Shotz attached as writers, producers, and showrunners.
The behind-the-scenes drama at Marvel Studios continues to escalate as former X-Men ’97 showrunner Beau DeMayo has publicly accused Marvel boss Kevin Feige of being “annoyed” at the success of the animated series. In a scathing post on X, DeMayo alleges that Feige deliberately distanced himself from the project, only to express frustration when it became one of Marvel’s highest-rated releases on Rotten Tomatoes.
A new rumor from YouTuber Mr. H Reviews claims that Disney has issued a demand to the BBC: if Doctor Who is to continue receiving Disney’s financial backing, both showrunner Russell T Davies and current Doctor, Ncuti Gatwa, must be replaced. This information allegedly comes from an inside source with a strong track record of accurate leaks.
Tatiana Maslany just can’t seem to let She-Hulk: Attorney at Law go. In a new interview with Newsweek, Maslany praised the show’s writers for “predicting toxic fan responses” and weaving that backlash into the series itself. One might normally stop short of praising the writers of a show that failed as spectacularly as She-Hulk given that they objectively failed in their one and only goal, but Maslany loves to blame “toxic fans” for the fact that she’s no longer a super hero.
Marvel Studios had high hopes for Daredevil: Born Again, positioning it as a major revival of the Netflix-era Daredevil series and a key effort to win back longtime fans. However, despite Variety and Disney painting the numbers as a success, a closer look reveals a starkly different story.
According to Disney, Daredevil: Born Again drew 7.5 million views in its first five days. Variety calls this a “strong launch,” but in reality, this number falls well below expectations for a series of this magnitude.
Deadline has now confirmed part of the recent rumor: Jon Favreau is indeed working on a Disney+ series based on Oswald the Lucky Rabbit. The animation/live-action hybrid project will be written and produced by Favreau under Walt Disney Studios. While this doesn’t confirm the rumored Epic Mickey or Kingdom Hearts projects said to be connected to Oswald, it does lend credence to the idea that Disney is giving Favreau more creative freedom within the company.
A recent claim from scooper MyTimeToShineHello has set the internet ablaze, suggesting that Jon Favreau—best known for his work on Iron Man, The Lion King, and The Mandalorian—has been tapped to build a shared Disney universe, starting with a big-budget Oswald the Lucky Rabbit hybrid animation/live-action series for Disney+. From there, the rumor states that Epic Mickey, Kingdom Hearts, and even Favreau’s long in production film Magic Kingdom could be in development.
The debut episode of Win or Lose, Pixar’s latest Disney+ series, has made waves by introducing Laurie, the first openly Christian character in a Disney project in nearly two decades. The show’s approach appears to reflect a shift toward more traditional storytelling, avoiding the divisive narratives that have contributed to some of Disney’s recent box office failures.