The era of Bob Iger at the helm of The Walt Disney Company appears to be entering its final chapter — again. According to a new report from Variety, Bob Iger has privately told associates that he plans on stepping down as Disney’s CEO and pulling back from day-to-day...
We’re not far away from a time when artificial intelligence is a key component of nearly any video generated for commercial and personal use. Already, YouTube is flooded with content created by Sora, Claude and other video generative programs. Sure, some of them are very amateur, but in the right hands… they’re remarkably realistic and beautiful. Like when Photoshop changed photography forever, video is preparing for its paradigm shift into a completely new world.
Just when we thought Disney’s Star Wars: Galactic Starcruiser was dead and buried, it’s crawling back from the wreckage. Jay over at the Drunk3PO YouTube channel—a trusted voice on all things Disney—recently covered the announcement of a fan-funded documentary attempting to immortalize the final days of the Galactic Starcruiser. Titled Halcyon Daze: The Final Voyages of Disney’s Star Wars Galactic Starcruiser, the documentary has raised over $18,000 via Kickstarter, aiming to glorify what can only be described as one of Disney’s most expensive missteps in recent history.
Disney’s ongoing shift toward dismantling traditional family dynamics continues, now confirmed once again in its latest Marvel offering, Agatha All Along. Following months of speculation, showrunner Jac Schaeffer recently revealed at PaleyFest that Agatha’s son, Nicholas Scratch, was conceived by Agatha Harkness (Kathryn Hahn) and Rio Vidal (Aubrey Plaza), with no father involved. The move echoes a similar controversial reveal in last year’s The Acolyte, where it was confirmed that twins Osha and Mae were likewise conceived by two women, leaving a father figure deliberately absent.
The numbers are out, and Disney’s latest live-action gamble has officially faceplanted. The Snow White opening weekend box office stands at a meager $43 million domestically and $87.3 million globally—and not even Variety or The Hollywood Reporter can spin it into a win anymore.
A massive fire broke out this evening behind EPCOT’s France Pavilion, sending thick black smoke billowing into the sky and rattling guests throughout the park. The smoke could be seen clearly from various vantage points around EPCOT, with sirens blaring as fire trucks raced to the scene.
The numbers are in, and they paint a grim picture for Bob Iger just says after an embarassing Disney shareholders meeting. Disney’s live-action Snow White remake is off to an alarmingly weak start, earning just $12 million on Friday alone, and totaling $16 million including Thursday previews. For a film that cost Disney over $250 million before marketing, this is nothing short of a disaster—and no amount of media spin can gloss over that fact.
This movie didn’t so much release as it escaped, clawing its way out of the vault like something locked up for good reason. Whatever Disney thought they were doing with this one, it’s safe to say the magic mirror’s cracked beyond repair.
The numbers are in, and they’re damning. Disney’s troubled live-action Snow White remake earned a paltry $3.5 million in Thursday box office preview showings. That figure alone would be embarrassing for any Disney tentpole, but when you stack it against Marvel Studios’ widely panned flop The Marvels, the situation becomes downright catastrophic.
First Jimmy Kimmel, now Mark Hamill. Hollywood elites seem intent on celebrating the targeting of Tesla vehicles—private property owned by American citizens—without so much as a whisper of responsibility in their ongoing quest to hurt Elon Musk.
This week, Mark Hamill took to his Bluesky (of course…) account to applaud what he calls the “Tesla Takedown,” gleefully sharing news of the company’s stock price drop.
It looks like the Power Rangers are morphing back into Disney’s hands—at least for now. According to an exclusive report from TheWrap, Disney+ and 20th Century Television are in talks to develop a brand-new live-action Power Rangers series, with Percy Jackson and the Olympians showrunners Jonathan E. Steinberg and Dan Shotz attached as writers, producers, and showrunners.
Ryan Reynolds has officially fired back at Justin Baldoni over the ongoing legal feud surrounding It Ends With Us and the fallout that followed. But a particular bone of contention in this case reared its head in a new way. In a newly filed motion to dismiss, Reynolds’ legal team specifically addressed Baldoni’s complaints regarding the satirical “Nicepool” character from Deadpool & Wolverine—a character Baldoni claims was designed to mock his public image as a self-styled male feminist.
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