Jar Jar Binks has traded his reputation for stumbling through battles for a chance to command the dark side.
Jar Jar Binks has traded his reputation for stumbling through battles for a chance to command the dark side.
Star Wars fans noticed something unusual this week: the Instagram account of Amandla Stenberg has vanished without explanation, just days after The Acolyte showrunner Leslye Headland reignited controversy by labeling some critics of the series as “fascists and racists.”
Fans have speculated about the fate of The Mandalorian Season 4 following the announcement of Lucasfilm’s upcoming film The Mandalorian and Grogu, with many claiming the Star Wars film is made up of repurposed scripts for the next installment of the Disney+ show.
In her first major interview since The Acolyte was pulled from Disney+, creator Leslye Headland has reignited controversy with a series of candid remarks on the show’s cancellation — culminating in her labeling a portion of longtime YouTube commentators as “fascists and racists.”
On Monday, November 10th, Lucasfilm announced that its Star Wars Insider magazine will be officially canceled in 2026 after releasing its 237th issue.
Star Wars is limping into its next chapter with confidence only Hollywood could muster — the kind born not from success, but from denial. The franchise is in shambles, the audience has evaporated, and the brand is no longer protected by the mythic glow it once carried. And yet, according to the Main Stream Access Media, the big revelation — the galaxy-saving insight — is that the way to save Star Wars is more Pedro Pascal.
Rian Johnson has finally said the quiet part out loud — his Star Wars trilogy isn’t happening. Speaking on Radio Andy this week, the Knives Out filmmaker offered one of the clearest updates yet on the long-dormant project, confirming that it’s not in active development and hasn’t been for years.
Ever since Adam Driver told the Associated Press that he and director Steven Soderbergh had spent two years independently developing a Star Wars movie centered around his Ben Solo character—only for Disney to reject it—we’ve been told by the access media that there’s a huge demand for the film.
Disney’s deleted series Willow (2022) was revealed to have a budget of $17 million per episode, according to a recent Forbes report by Caroline Reid. The author cites filings from the Barking Lion Production studio, a subsidiary of Disney, in order to back up its claims. Being more economical than its neighbors at Marvel and Star Wars, the total cost for Willow came to $136.3 million.
Earlier this year, Luscasfilm announced that it would be celebrating the 50th anniversary of Star Wars: A New Hope by re-releasing it on April 30th, 2027, and recently it was revealed that it would also have showings in IMAX.
There’s a major connection between the Star Wars sequel trilogy and the divisive Disney+ series The Acolyte.
Star Wars: Rise of Skywalker left theaters nearly six years ago and divided fans as part of the divisive sequel trilogy. A few years later, The Acolyte went into production for Disney+. One would think that showrunner Leslye Headland might have tried to distance herself from the sequel trilogy despite its canonical status.
Disney budgets continue to skyrocket as box office returns plummet. It was recently alleged that The Walt Disney Company paid screenwriter Scott Z. Burns a seven-figure sum — the highest in Lucasfilm history — for a script that will never be made.
Some new behind-the-scenes claims about The Hunt for Ben Solo are circulating—and they make the galaxy far, far away sound more like an episode of Succession than Star Wars.