Francesco Solbakk

Francesco Solbakk is a seasoned filmmaker, creative professional, and financial strategist with a strong background in directing, producing, editing, and financial reporting for companies and organizations. A graduate with honors in Film Directing and Production from Noroff School of Technology and Digital Media, Francesco has led numerous projects, including documentaries, commercials, and short films. His expertise extends to financial management and reporting, where he successfully supported businesses by developing stock trading and investment strategies during challenging periods like the pandemic. Francesco’s collaborations include producing academic and promotional media for esteemed institutions such as the University of Oslo and ProCard Research Group. Multilingual and versatile, he combines his creative vision with a deep understanding of financial and operational strategies. SOCIAL MEDIA: X: http://x.com/FrancescoSolbak
Media Touts Assassin’s Creed Shadows as a Success — It’s Not

Media Touts Assassin’s Creed Shadows as a Success — It’s Not

Assassin’s Creed Shadows has finally released, and one might naively assume Ubisoft’s woes are over. Surely, with their self-proclaimed “reputable” marketing and unwavering dedication to historical authenticity, this game will sell like cold lemonade in the desert.

After all, the delays—costing a rumored $20 million—were supposedly to address every issue raised by fans and the barrage of bad press, right?

The Development of Assassin’s Creed Shadows, How Ubisoft Managed to Make The Worst Decision Possible at Every Turn

The Development of Assassin’s Creed Shadows, How Ubisoft Managed to Make The Worst Decision Possible at Every Turn

Ubisoft’s Assassin’s Creed Shadows has been a marketing disaster of epic proportions, plagued by missteps that have left both fans and Japanese audiences frustrated. From culturally insensitive decisions to baffling character choices, the game’s promotional campaign seems cursed—or perhaps just a testament to Ubisoft’s tone-deaf approach.