Marvel’s Thunderbolts has officially passed the $300 million mark after its third weekend at the global box office… and somehow, this is being spun as a win? That’s the take coming out of access media platforms like Screen Rant, where the entertainment outlet declared the milestone a “key mark” and “positive sign” for Marvel Studios.
President Donald Trump is throwing surprising support behind Disney’s new theme park in Abu Dhabi, praising the project during a trade summit in the United Arab Emirates and revealing that Disney CEO Bob Iger personally presented the plans to him recently in the Oval Office.
The Rippaverse continues its upward momentum, and this time, it’s breaking ground with something brand new—its first-ever anthology, Saints & Sinners. In just 26 hours, the compilation comic surged past the $100,000 revenue mark, showing that there’s a massive appetite for bold, independent storytelling beyond the traditional comic book gatekeepers.
In a surprising turn of events, Universal Orlando Resort has reopened Harry Potter and the Battle at the Ministry at Epic Universe—and for the first time ever, guests are experiencing the ride with a traditional standby queue instead of the much-maligned virtual line system.
According to the latest Daredevil: Born Again Nielsen data, Marvel’s latest Disney+ series is a major flop, failing to appear on Nielsen’s weekly streaming charts for a single episode. This marks the first time in Marvel Cinematic Universe history that an original Disney+ series has not charted even once during its run.
Marvel’s Ironheart trailer isn’t just underperforming—it’s collapsing in real time under an avalanche of dislikes. When we began writing this article, the video had 312,000 dislikes. By the time we hit publish, that number had already jumped to 315,000 dislikes, against just 177,000 likes (that number didn’t change…)—pushing the trailer to a brutal 64% Ironheart dislike ratio.
A fake quote attributed to Superman actress Rachel Brosnahan is making the rounds online—and it’s spreading fast enough to warrant some serious fact-checking. The viral claim suggests that Brosnahan, who plays Lois Lane in James Gunn’s upcoming DC reboot, said Superman is “not for everyone” and would anger “the same old people who don’t support ideas of progress and empowerment.”
As Ironheart racks up dislikes on YouTube ahead of its premiere this June, one burning question is capturing fans’ attention more than ever: is Sacha Baron Cohen playing Mephisto in the MCU?
The long-rumored debut of the Marvel Comics demon has been teased for years, from WandaVision to Agatha All Along. But now, with credible reports, casting clues, and even a supposed leaked teaser swirling online, speculation is hitting a fever pitch.
The new slayer has been chosen for the Buffy reboot — and she’s no stranger to Disney.
Ryan Kiera Armstrong, best known for her roles in Firestarter, Anne with an E, and most recently Disney+’s low-rated Star Wars: Skeleton Crew, has officially been cast as the lead in the upcoming Buffy the Vampire Slayer reboot for Hulu. She’ll star opposite Sarah Michelle Gellar, who returns as the iconic Buffy Summers and now serves as executive producer on the project.
Netflix may have finally found the brakes on Zack Snyder’s slow-motion space trainwreck. Longtime Snyder collaborator and screenwriter Kurt Johnstad made it sound like the odds of Rebel Moon getting a third installment are somewhere between slim and “you better start praying.”
Ubisoft stock fell sharply on Thursday, dropping more than 18% to €9.55 per share following a fourth-quarter earnings report that disappointed investors and triggered renewed concerns about the company’s financial direction.
Josh D’Amaro, chairman of Disney Experiences, made headlines this week for expressing supreme confidence in Walt Disney World’s staying power — even in the face of the most ambitious theme park expansion in decades: Universal’s Epic Universe.
But as much as D’Amaro wants to spin the competition as a benefit, reality suggests otherwise. With Universal preparing to shake up the Orlando tourism market in 2025, Disney may be standing at the edge of a cliff while pretending it’s just another ride.