Is Hollywood about to get a taxpayer funded government bailout? Hollywood has spent years lecturing its audience, alienating longtime customers, producing increasingly expensive movies and television shows, and watching an enormous amount of production leave the...
Kevin Feige, long hailed as the mastermind behind the Marvel Cinematic Universe, is now facing the harsh reality of a franchise in freefall. And instead of taking accountability, Feige is quietly trying to shift the blame anywhere he can—to Disney, to streaming, even to the fans. A new Wall Street Journal profile, conveniently dropped the same week Thunderbolts collapsed at the box office with a $76 million opening, reveals a series of revealing admissions and insider accounts that suggest the architect of the MCU is working overtime to distance himself from Marvel’s recent failures.
In a surprise announcement Sunday night, President Donald Trump revealed a sweeping new policy: 100% tariffs on all movies produced outside the United States. These Hollywood tariffs are part of his broader plan to revive American film production, which he says has been steadily drained by international competition and foreign incentives.
Marvel Studios is staring down yet another grim milestone. As Thunderbolts begins its theatrical run, domestic box office projections place the film’s opening weekend between $70 and $75 million. On paper, that might sound respectable—but in the context of Marvel’s recent track record, it paints a very different picture.
Sinners is making a major splash at the box office.
However, the media reaction to the Ryan Coogler and Michael B Jordan’s film has become its own story. Last Sunday, Variety sent out a tweet in support of Rebecca Rubin’s article on the weekend global box office take.
Dinosaurs may be extinct, but their price tag is alive, well, and absolutely massive. Newly released financial documents show that the combined production costs for Universal’s last two Jurassic World movies—Fallen Kingdom (2018) and Dominion (2022)—have officially crossed the $1 billion mark.
John Boyega, best known for his role as Finn in the Star Wars sequel trilogy, has expressed interest in joining the Marvel Cinematic Universe as Bishop—just weeks after drawing attention for recent remarks about Star Wars and its fanbase.
For a film that’s supposed to save DC’s cinematic future, a new plot leak for James Gunn’s Superman is already doing something dangerous—alienating the very people it needs to win back.
Disney has announced that Josh D’Amaro, Chairman of Disney Experiences, will represent the company at the MoffettNathanson Media, Internet & Communications Conference on May 14, 2025. It may sound routine, but for those watching the race to succeed Bob Iger as CEO, it’s anything but.
Paramount Global is reportedly preparing to offer a settlement over President Donald Trump’s $20 billion lawsuit against CBS News, signaling a significant shift as mediation between the two parties officially begins.
The lawsuit centers on a 60 Minutes interview aired last October featuring then–Vice President Kamala Harris, which Trump alleges was deceptively edited to favor his political opponent during the final stretch of the 2024 election.
A real nightmare is now brewing for The Walt Disney Company as they face major legal battles for both Marvel and Star Wars at the same time in early 2026. It could be a very ugly situation with significant industry and financial impacts. The escalating legal feud...
While the very mention of the name Toys “R” Us may spark conflicting emotions of joy and sorrow from a previous era of consumerism and marketing, the famous toy store chain will be making a big comeback on the silver screen. First reported by Variety, the media...
Disney is celebrating a massive win with Deadpool & Wolverine, the R-rated superhero event that shattered records and revived faith in the Marvel brand for some. According to Deadline’s Most Valuable Blockbuster tournament, the film brought in over $1.3 billion at the global box office and delivered an impressive $400 million in profit.
But the real story isn’t just what Deadpool & Wolverine earned—it’s what Disney lost elsewhere.