NVIDIA Corporation is advancing key aspects of its gaming technology and cloud services with new graphics tools and infrastructure updates announced at its GTC 2026 conference and in subsequent company releases. This time, they are introducing technology with the...
Johan Pilestedt, the creative director behind Helldivers 2, has taken a firm stance against incorporating diversity, equity, and inclusion (DEI) initiatives into games when they detract from the player experience.
Ubisoft’s troubles have mounted into 2025, with the PC version of Assassin’s Creed Origins becoming the latest casualty of the company’s ongoing woes. Steam users have flooded the game with negative reviews, dropping its recent review rating to “Mixed.”
A recent leak from a Chinese app suggests that NetEase’s free-to-play third-person hero shooter Marvel Rivals will soon expand its roster with the iconic Fantastic Four.
Once a titan in the gaming industry, Ubisoft has experienced a dramatic and concerning decline in value over the past four years. From a market capitalization of $12.17 billion in January 2021, the company’s value plummeted to a mere $1.78 billion by January 2025.
Another game has been revealed by the Gothic Therapy YouTube channel to be a recent client project of Sweet Baby Inc., the controversial narrative design firm co-founded by Kim Belair.
The Witcher 4 directors claim that using Ciri as the main protagonist in their game will allow the team to explore the nature of sexism in The Witcher world. But is that something anyone was asking for in a fantasy RPG game heading into 2025?
After fans celebrated what appeared to be a decanonization of female Adeptus Custodes in The Ultimate Guide to Warhammer 40k, the book’s co-writer has come out to claim that, despite the intentional gendered language he himself oversaw in the guide, custodians can still be female.
A recent edition of the Ultimate Guide to Warhammer 40k appears to eliminate the recently retconned-in female members of the Adeptus Custodes from the game’s canon.
CD Projekt Red (CDPR), once hailed as a powerhouse in the gaming industry for acclaimed titles like The Witcher 3: Wild Hunt, is undergoing a significant transformation. Recently, a wave of key developers, including the Wicther 3 directors, have chosen to leave CDPR to start their own rival game studios.
CD Projekt Red (CDPR) Franchise and Lore Designer Cian Maher recently came under intense scrutiny for a series of inflammatory remarks directed toward the gaming community, including what appears to be a voiced desire to physically assault them.
The gaming community has erupted in response to a recent attack by Tati Gabrielle, the lead actress of Naughty Dog’s latest title, Intergalactic: The Heretic Prophet. Gabrielle has come under fire after responding dismissively to fan backlash at her game’s trailer, sparking further controversy around its less-than-stellar reception.
Corinne Busche, director of Dragon Age: The Veilguard, has recently attributed the game’s disappointing performance to a purported hate campaign and review bombing orchestrated by discontented factions within the gaming community. However, a closer examination reveals that the failure of The Veilguard stems not from external harassment, but from fundamental missteps in game design and a departure from what made Dragon Age beloved by fans.