The Disney layoffs that began this week are sending shockwaves across the company, with roughly 1,000 employees impacted in a sweeping restructuring effort that touches everything from marketing to Marvel. According to reporting from TheWrap, the cuts include entire...
Attendees at this year’s San Diego Comic-Con (SDCC) got a big surprise at the Star Wars booth. According to an official display on the show floor, Anakin Skywalker only “had the potential to become the most powerful Jedi ever.” That same phrase has been added to the...
Disney and Lucasfilm have reached a settlement with actress Gina Carano, who filed a lawsuit against the companies for discrimination and wrongful termination following her dismissal from the Disney+ series The Mandalorian.
Disney CEO Bob Iger recently made headlines during the company’s Q3 2025 earnings call when he announced that Lilo & Stitch has become the second-most lucrative merchandise brand under the Disney umbrella, trailing only Mickey and Friends. While this may seem like...
Director Zach Cregger, known for his breakout horror hit Barbarian, recently revealed that his upcoming movie Weapons underwent a complete overhaul in casting due to issues stemming from Pedro Pascal in the aftermath of the 2023 Hollywood strikes.
In its fiscal third quarter 2025 earnings report, The Walt Disney Company has officially recognized the underwhelming performances of Marvel Studios’ Thunderbolts and Pixar’s Elio as flops contributing factors to financial setbacks in its Content Sales/Licensing and Other segment.
Bob Iger referred to the Fantastic Four as a “new IP” as the franchise releases its second reboot.
In the wake of Disney’s Q3 FY2025 earnings call on August 6, 2025, CEO Bob Iger sparked debate among fans, analysts, and industry observers with his comments on intellectual property (IP) strategy. While discussing the balance between creating new content and leveraging established franchises, Iger suggested that Marvel Studios continues to “mine its library of characters for original property.”
War of the Worlds (2025), the latest and perhaps most baffling adaptation of H.G. Wells’ enduring sci-fi novel, is neither a revival nor an evolution. It’s a clinical, creatively bankrupt exercise in screen-life storytelling that somehow manages to insult not just its source material, but the intelligence of its audience as well. To call it a “mockery” would imply the film has enough self-awareness to be in on the joke. It doesn’t.
The Walt Disney Company held its Q3 2025 earnings call this morning. This article will be updated live during the call as information is announced. Watch along with the Valliant Renegade show in the video player below: https://youtu.be/qZjd5Apb3G0 8:14...
The mainstream media seems to want to blame everything but divisive identity politics for the decline of Marvel.
The Marvel Cinematic Universe (MCU), once a box office juggernaut churning out billion-dollar hits like Avengers: Endgame, has hit a rough patch. Recent releases, including The Fantastic Four: First Steps, have underperformed, sparking debates about what’s gone wrong.
It’s been a long road, but Guillermo del Toro is finally bringing his version of Frankenstein to life, and it might just be his most personal monster yet.
The Oscar-winning filmmaker has wanted to tell this story for decades, and after years of rejection from studios, Netflix finally gave him the green light. Now, with Frankenstein set to premiere at the Venice Film Festival before its November Netflix debut, we’re getting a closer look at a project del Toro calls his “bucket list” film.
In the competitive world of corporate leadership at Disney, the debate over who drove the most value often centers on flashy acquisitions and box office hits. However, when you strip it down to the hard numbers—specifically stock price growth—Michael Eisner emerges as the clear standout, outpacing his Disney CEO successor Bob Iger by a wide margin.
The domestic box office for the weekend of August 1-3, 2025, totaled approximately $118.5 million, marking a 27% decline from the same frame last year but still showing resilience amid a summer season that’s now crossed the $3 billion mark.