When it comes to video game movies, adaptations can be challenging. They need to stay true to the source material or risk alienating longtime fans. At the same time, to be successful, they must appeal to a wider audience. Ideally, knowledge of the games should enhance the experience—not be required for it. Many reviews of The Super Mario Galaxy Movie have said it’s “for the fans.” That may be true—but it’s not just for gamers.
I saw Zootopia: Better Zoogether and wrote a review so that you don’t have to sit through this. And, yes, there will be spoilers.
Tron: Ares is not a good movie. We should start This Tron: Ares review honestly, and if that’s all you needed to know, read no more, friends. But if you’d like to understand just what a stinker Disney has shoveled out upon theaters this fall, continue on and I’ll explain.
James Gunn’s much-hyped Peacemaker Season 2 premiere has finally arrived — and I sincerely wish it hadn’t and that I didn’t have to review it… What unspools in the first episode is a chaotic, vulgar, self-indulgent disaster that makes even Gunn’s shaky Superman reboot look like a cinematic triumph by comparison. I enjoyed much of the first season. I like John Cena. But this episode? It is amateurish, infantile dreck with almost nothing redeemable.
This Wednesday Season 2 review contains spoilers for Wednesday Season 2. The first half of Wednesday Season 2 isn’t just a misstep. It’s a systematic unraveling of everything that made The Addams Family a cultural touchstone. READ: Universal Studios Great Britain...
War of the Worlds (2025), the latest and perhaps most baffling adaptation of H.G. Wells’ enduring sci-fi novel, is neither a revival nor an evolution. It’s a clinical, creatively bankrupt exercise in screen-life storytelling that somehow manages to insult not just its source material, but the intelligence of its audience as well. To call it a “mockery” would imply the film has enough self-awareness to be in on the joke. It doesn’t.
For most of my time watching The Fantastic Four: First Steps, my brain entered what I can only describe as a self-imposed protective coma. I wasn’t bored—this was something worse. A sort of subconscious defense mechanism kicked in, shielding me from the slow-motion trainwreck unraveling on screen.
The following review features spoilers. Marvel has one last attempt at garnering hype before Avengers Doomsday, and it comes after a string of serious misses. Captain America Brave New World was so bad it may have ended Harrison Ford's career. Thunderbolts had a...
Netflix has unveiled a second trailer for Wednesday Season 2, and this time it’s somewhat better. Where the first trailer leaned on tonal irony and visual spectacle, this seems to embrace the Gothic drama.
I haaaaaated this movie. I hated it with a deep, gnawing frustration. Because for the third time in my life, a director has rebooted Superman—and for the third time, they failed.
If you thought the first three episodes of Ironheart were bad, buckle up. Somehow, Marvel managed to dig even deeper into the well of awful. The final three episodes of Ironheart don’t just continue the disaster—they accelerate it, hurling the show off a cliff of lazy writing, nonsensical tech, virtue signaling, and a complete disregard for logic or consequence.
There really isn’t a way to review Ironheart outside of just calling it what it is: bad.
It’s a bad show. It’s bad on every level. From the lazy bad cinematography to the lackluster bad graphics, bad wooden performances, and bad writing, Ironheart is the culmination of everything that’s gone wrong with Marvel television. It’s not just a misfire—it’s a final nail.
Some are saying that Elio is the worst Pixar movie ever. Others say it's a wonder of creativity and sci-fi, mixing family with "blobulous" creatures. So which is it and should you take your family to see the newest CalArts cartoon on the big screen? Elio is the...