For decades, a perennial holiday debate has echoed through internet forums, office parties, and family gatherings: Is Die Hard a Christmas movie? Despite the ritualistic enthusiasm with which some defend its “holiday classic” status, the evidence tells a different story.
It seems like Disney is once again turning its back on the families who built its empire in favor of the DINK (Dual Income No Kids) crowd and so-called Disney Adults. The latest evidence? EPCOT’s brand-new GEO-82 Spaceship Earth lounge, which is making headlines not for family-friendly offerings, but for being an exclusive, adults-only experience.
Disney’s live-action Snow White hasn’t even landed in theaters, yet the flood of early Snow White reviews paints a picture that’s almost too good to be true. Glowing headlines, social media conversions, and a tidal wave of praise for Rachel Zegler dominate the conversation. But if you’ve been paying attention, there’s something off. The outpouring of love from media personalities invited to the scaled back Hollywood premiere are so universally positive and all seem to echo one another in a way that many feel is highly coordinated.
I’ve spent the last hour or so listening to some wonderful music from the past—not the Mozart kind of past, but the EPCOT past, and it made me think more than just warm, nostalgic, and happy thoughts of good times back in those yester-decades called the 1980’s which, I know, many of you were not blessed to be around in.
Anthony Mackie has set the internet on fire with his recent comments about masculinity, and predictably, the progressive media isn’t happy. In an era where Hollywood and corporate media have spent the last decade deconstructing strong male role models, Mackie dared to say what many of us have known all along: masculinity is important, American masculinity is unique, and young men need strong male figures to look up to.
Naughty Dog’s upcoming sci-fi game, Intergalactic: The Heretic Prophet, has raised eyebrows for its seemingly deliberate focus on religion—particularly a critical portrayal of faith that echoes the company’s broader creative trajectory under Neil Druckmann. While the...
The ongoing Sony internal battle has become a massive issue in which eastern and western developers clash over the divisive issue of agenda in gaming.
There has been much talk about how Disney is seeing its summer bookings "go up" even as Epic Universe gets ready to open. From my vantage point, I don't always pay attention to what companies like TWDC say publicly with carefully worded phrases. Instead, I'm more...
Tatiana Maslany just can’t seem to let She-Hulk: Attorney at Law go. In a new interview with Newsweek, Maslany praised the show’s writers for “predicting toxic fan responses” and weaving that backlash into the series itself. One might normally stop short of praising the writers of a show that failed as spectacularly as She-Hulk given that they objectively failed in their one and only goal, but Maslany loves to blame “toxic fans” for the fact that she’s no longer a super hero.
The Dark Tower is a sprawling, genre-blending epic that follows Roland Deschain, the last gunslinger, on his quest to reach the mysterious Dark Tower—a structure said to be the linchpin of all existence. Stephen King mixed elements of fantasy, horror and Westerns into the series. Among all his works, The Dark Tower stands out as one of his most ambitious. Many consider it his magnum opus.
The internet is buzzing once again over Pedro Pascal, but this time, it’s not because he’s promoting some radical ideology or starring in just about every project Hollywood announces. No, this time it’s all about an Instagram story featuring Pascal and his longtime...
Investors and movie industry buffs might want to reconsider listening to "reported budgets" coming out of the trades in regards to Disney films. A new article from Caroline Reid at Forbes has shattered the narrative on what Disney is spending behind-the-scenes. When...
For decades, Walt Disney Imagineering was the gold standard of theme park innovation, balancing timeless storytelling with technological breakthroughs to create immersive, unforgettable attractions. But in recent years, Imagineering has been consumed by progressive ideology, turning classic rides into sanitized, politically correct shells of their former selves.