Shawn Levy is leaving Netflix for Disney, giving the Mouse House another reason to bet heavily on the director behind Deadpool & Wolverine.
Shawn Levy is leaving Netflix for Disney, giving the Mouse House another reason to bet heavily on the director behind Deadpool & Wolverine.
Late-night television, once a cornerstone of American entertainment, is experiencing a significant decline. Now, with the elimination of one of CBS’ programs, After Midnight with Taylor Tomlinson, the collapse is beginning.
As opposed to replacing the PM comedy talk show format, CBS is opting to just trim the fat. Less hours of late night is the new norm… and it could be going all the way to “goodbye” for the genre that Johnny Carson largely built.
Ubisoft employees are rattled over the potential for mass layoffs—and they have every reason to be.
On Thursday, Ubisoft announced it is forming a new gaming subsidiary in partnership with Chinese tech giant Tencent. The new entity will house the company’s most valuable franchises, including Assassin’s Creed, Far Cry, and Rainbow Six along with select development studios. While the press release spins this as the start of a “bold new chapter,” internal reactions suggest that the only thing bold about this move is the level of uncertainty it has created for Ubisoft’s remaining workforce.
While Hollywood and the media were laser-focused on the Snow White box office debacle, another massive failure quietly slipped under the radar—Jonathan Majors’ “comeback” film Magazine Dreams opened to a whimper, not a roar.
CNN wants you to believe that a 2014 online movement over video game journalism is responsible for virtually every controversy of the last decade. In its latest attempt to revise history, CNN frames Gamergate not as a call for transparency in media, but as the spark that supposedly ignited a digital wildfire engulfing everything from social platforms to political movements.
For over a decade, Disney has gone out of its way to court China’s box office. From altering content to fit the demands of Chinese censors, to restructuring storylines, casting decisions, and even marketing campaigns for maximum appeal in Beijing, Disney has treated China like a golden goose. But with the catastrophic failure of Snow White at the Chinese box office, that strategy appears to have officially collapsed.
The fallout from Mark Rober and his controversial video comparing the Tesla autopilot system to LiDAR technology continues to intensify. What initially appeared to be a lighthearted, data-driven experiment has unraveled into something far more concerning—a blend of misrepresentation, omitted relationships, and questionable testing practices that has left viewers and experts alike demanding answers.
First Jimmy Kimmel, now Mark Hamill. Hollywood elites seem intent on celebrating the targeting of Tesla vehicles—private property owned by American citizens—without so much as a whisper of responsibility in their ongoing quest to hurt Elon Musk.
This week, Mark Hamill took to his Bluesky (of course…) account to applaud what he calls the “Tesla Takedown,” gleefully sharing news of the company’s stock price drop.
Late-night host Jimmy Kimmel is once again facing backlash—this time for making light of widespread vandalism against Tesla vehicles during a recent monologue. But the bigger question isn’t just about Kimmel’s smug quip—it’s about the network and corporate giant standing behind him.
Kimmel, whose Jimmy Kimmel Live! airs on Disney-owned ABC and routinely proves that if a tree falls in the forest with no one around it still makes a sound, used the ongoing destruction of Tesla vehicles as material for his Tuesday night opening bit.
Rachel Zegler wants you to believe she’s all about kindness and acceptance. In her recent Allure magazine interview, she spoke at length about how her portrayal of Snow White is meant to inspire a “new dawn of kindness and acceptance.” According to Zegler, movies like Disney’s Snow White can help fight division, teach audiences to reject anger, and promote unity. But when you look at how Zegler treats people in the real world—particularly those who don’t conform to her worldview—her version of “kindness” starts to look a lot more selective. Take, for example, the way Rachel Zegler treated actress Gina Carano.
It seems the tide has turned in Hollywood, and it didn’t take long for self-interest to reveal itself. Over 400 major Hollywood creatives—including big names like Ben Stiller, Mark Ruffalo, Ron Howard, Cate Blanchett, and even Paul McCartney—have submitted an open letter to the Trump White House’s Office of Science and Technology Policy. Their plea? To protect their copyrighted Hollywood works from being freely exploited by AI giants like OpenAI and Google.
It’s only been a few days since Disney dropped the first full trailer for its upcoming Lilo & Stitch live-action remake, and the numbers are already speaking volumes about both this film and Disney’s upcoming Snow White.
Anthony Mackie has set the internet on fire with his recent comments about masculinity, and predictably, the progressive media isn’t happy. In an era where Hollywood and corporate media have spent the last decade deconstructing strong male role models, Mackie dared to say what many of us have known all along: masculinity is important, American masculinity is unique, and young men need strong male figures to look up to.