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The Most Vital Part of ANY Theme Park Maintenance Program Is The Word “Maintain” an Editorial by LW Ghost

The Most Vital Part of ANY Theme Park Maintenance Program Is The Word “Maintain” an Editorial by LW Ghost

The other day, I was watching a wonderful interview with Bob Gurr. For those of you who don’t know him, he’s one of the Disney Legends whose chief role in the making of the parks was transport and ride vehicles—he invented the PeopleMover, the OmniMover/DoomBuggies, and a host of other Disney Imagineering innovations.

Disney Theme Parks and Experiences Revenue Hits Record $9 Billion in Q3 2025, But Questions Linger on Attendance and Pricing

Disney Theme Parks and Experiences Revenue Hits Record $9 Billion in Q3 2025, But Questions Linger on Attendance and Pricing

The Walt Disney Company released its fiscal third-quarter earnings for 2025 on August 6th, revealing impressive growth in its Experiences division, which encompasses theme parks, resorts, cruise lines, and consumer products. Of course, Disney failed to draw attention to declining attendance and massive price hikes that far exceed the rate of inflation.

Bob Iger Claims Fantastic Four is a New IP Despite Being on its Third Reboot

Bob Iger Claims Fantastic Four is a New IP Despite Being on its Third Reboot

Bob Iger referred to the Fantastic Four as a “new IP” as the franchise releases its second reboot. 

In the wake of Disney’s Q3 FY2025 earnings call on August 6, 2025, CEO Bob Iger sparked debate among fans, analysts, and industry observers with his comments on intellectual property (IP) strategy. While discussing the balance between creating new content and leveraging established franchises, Iger suggested that Marvel Studios continues to “mine its library of characters for original property.”

Review: Ice Cube’s ‘War of the Worlds’ Is an Affront to H.G. Wells—An Adaptation Without Comprehension

Review: Ice Cube’s ‘War of the Worlds’ Is an Affront to H.G. Wells—An Adaptation Without Comprehension

War of the Worlds (2025), the latest and perhaps most baffling adaptation of H.G. Wells’ enduring sci-fi novel, is neither a revival nor an evolution. It’s a clinical, creatively bankrupt exercise in screen-life storytelling that somehow manages to insult not just its source material, but the intelligence of its audience as well. To call it a “mockery” would imply the film has enough self-awareness to be in on the joke. It doesn’t.